Virtual/Real – Digital/Analog – Intangible/Physical

———— Filed under: Allgemein ⁄⁄ analog ⁄⁄ Art ⁄⁄ Digital ⁄⁄ Market ⁄⁄ real ⁄⁄ Uncategorized ⁄⁄ Virtual Reality

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Publ. 08.23.2018

THIS ARTICLE IS ABOUT THE JUXTAPOSITION

– of VIRTUAL and REAL – of DIGITAL and ANALOG – of INTANGIBLE and PHYSICAL –

Honestly, I am not sure if this is a confrontation or a steady transformation process – Maybe both… On the one hand, the growing technologization and the general digitalization is leading us to an ongoing abstraction of our world.

For example, money: Once upon a time, people were trading with items or gold. Gold became a bundle of money, the banknote became a paper check and finally, we use PayPal and pay with bitcoin – a currency that only exists on the screen. Books are replaced by a kindle, records are transformed into an mp3 file and friendship is only defined by the connection via facebook. How desirable is that?

 

Meanwhile, I mostly see in this a polarity that is increasing in radicalism and become more and more extremeand so often I am just thinking: Hello guys! Don’t you see that your property and ownership is an illusion .?

Augmented and virtual reality is just the beginning. It really gets creepy when you are on the phone and not sure if there is a human being or a computer software at the other end of the line. For example, the google assistant – this intelligence is not only reacting to you like Siri, it laughs, it changes mood and sound of the voice, it even makes human noises in its talking breaks like „mhh“ or „aha“…

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I think the phenomenon of digitalization is especially interesting in the field of the arts.

Museums and cultural institutions digitalize their collections and thereby following two goals. On the one hand, they want to create new access to arts and culture and use diverse ways to catch people. In addition to the intention of education and mediation, digitalization of artifacts and cultural heritage allows better and more sustainable preservation – works are kept for eternity and „the problem“ of transcience seems to be solved.

But does transcience not also implicates the specialty of things, the individual nature of moments – might be even beautiful?…but that is another topic, so back to art and digitality!

Of course, technology brings benefits in terms of preservation, on the other side it can also devalue arts and offer a basis to disfigure something wonderful and valuable. I don’t know how you feel, but for me, every time I see a digital image of the Mona-Lisa with a distorted or exchanged face, something dies in me.

But then it is also said that just haptic works are „real“ works. Everything that is digital has no consistency – thus no value – thus it can not be sold in the big auction houses. But creating digital art pieces also emerges out of a craft, skill or talent.

Especially in the more traditional and conventional fields, this new and modern art form is not taken seriously and the digital and media arts are clearly undervalued, although they create new potential and promote artistic expressions of individual creativity.

YOURARTBEAT has recognized the aesthetics behind digital arts and even put a focus on it.

The new YOUR ART BEAT MARKET is a brand new online shop that especially gives the Digital Arts a haptic medium and transforms the Virtual into something real: A place where the digital becomes physical. It is about finding physical media that can reflect both the dimensional depth of the image and the inner depth, its “soul”

To ensure this, YOURARTBEAT experimented with a variety of materials and made a selection that is able to meet the just mentioned aspects. In addition, they serve solutions concerning different tastes and design variations but also can address different price categories without loosing on a qualitative level. Therefore, YOURARTBEAT  is offering the digital artworks in the following materials: Glass – Aluminium – Lightboxes – and of course usual Fine Art Paper… Especially glass is an awesome material – maybe because it can imitate a similar texture as a screen.

So we see: also digital things can be transformed into something real, something analog and physical. This whole topic is really strange and can be seen from many perspectives. There are positive as well as negative aspects.

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Anyway, it feels like I’ll probably have to accept that we live in a world where your reputation depends on your virtual representation on the web, where you pay food with bitcoin and Leonardo Da Vinci’s Mona Lisa has the face of Angela Merkel…

Digitization, Virtuality and, Intangibleness – Does it mean that you can’t lose things anymore Or is it implicating that you have never even owned them?

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From the beginning, it was clear that this article will raise more questions than give answers…

So what do you think?

WIN THIS PHOTOGRAPHY SERIES

———— Filed under: Allgemein ⁄⁄ Art ⁄⁄ Artwork ⁄⁄ Design ⁄⁄ Digital ⁄⁄ Market ⁄⁄ photography

Author:
Publ. 08.2.2018

WIN THIS WONDERFUL SERIES OF ARTPIECES!
(Artist: Imogen Davis)

We’re giving away this wonderful little photography series by our artist Imogen Davis. Each of the three pieces from the “My-Breath” series is printed on high quality glass in A5 format.

How to participate? – Very easily! Just send us an email or Facebook message with the keyword: IMOGEN DAVIS

Emails to: (johanna@yourartbeat.de)

Facebook: YOURARTBEAT

The winner will be announced in August!

!!! DISCOVER MORE ON THE YOUR ART BEAT MARKET !!!

CHRISTOPH KÜHL – NEW YAB ARTIST

———— Filed under: Allgemein ⁄⁄ Art ⁄⁄ Artist ⁄⁄ Artwork ⁄⁄ Design ⁄⁄ Digital ⁄⁄ Market ⁄⁄ painting
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Publ. 07.18.2018

C H R I S T O P H   K Ü H L

Christoph Kühl (*1960), studied free painting with Prof. Karl Oppermann at HdK Berlin.

His works are almost exclusively collages, i.e. they are made of painted paper with various techniques. Among other things, he also uses black and white copies from magazines and newspapers or weathered advertising from urban quarters.

The viewer is taken on a journey through three-dimensional spaces. Kühl’s pictures are the projection surface of these sensational sites. Found image pieces are put together to convey new impressions.

Christoph Kühl lives as a freelance artist in Berlin. Regular exhibitions and concerts at his studio in Weissensee.

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JÖRG GIMMLER – NEW YAB ARTIST

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Publ. 07.17.2018

J Ö R G   G I M M L E R

Jörg Gimmler (* 1963), Master student of Georg Baselitz, combines aspects of Concrete Art and Minimal Art into large-format compositions, which are at the same time analytically precise and ecstatical. They place the viewer in front of a structure that deals with the movement of painterly abstraction itself. The artist calls this process “multiple positioning”, in which similar formal elements in oil and acrylic paint form suggestive structures that, as visual architectures, disorient rather than shelter the viewer.

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RENATE MARSCHNER – NEW YAB ARTIST

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Publ. 07.16.2018

R E N A T E   M A R S C H N E R

Renate Marschner (1953-1990) was an artist from Lower Saxony and worked as a painter and broadcasting author in Berlin, Karlsruhe, and Switzerland . She has displayed her works in Berlin, Heidelberg, and New York.

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JAKE LONDON – NEW YAB ARTIST

———— Filed under: Allgemein ⁄⁄ Art ⁄⁄ Artist ⁄⁄ Artwork ⁄⁄ Coding ⁄⁄ Design ⁄⁄ Digital ⁄⁄ Market
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Publ. 07.14.2018

J A K E   L O N D O N

Artist Statement: My art is about technology, it’s about the rise of its capabilities and its place in our life. Technology is not the subject of the art, but the process and medium. I use Technology to create colour and form which are meant to evoke positive emotions. The harmony between colour and shape is something I think that can be best created with technology. The shapes and the colours perfectly symmetrical, vibrant, even and smooth. I contrast this with faint nods to natural techniques that where traditionally made with age old processes but now can be made with technology. Spray painting and watercolour painting are used looking back at fine art and using a hint of the textures that they create to form familiarity within the picture.

I like digital art because it can go viral in its original form. Viewing it on Instagram, viewing it on your smartphone, you are looking at it in its purest state. It’s only when it is printed that it then becomes a copy of that artwork. I want everyone to see my work through technology; you don’t have to go to a gallery to access my art, and it can be viewed on the internet just seconds after I have created it. You could see a new piece of art daily right there on your phone, I feel like it is a constant source of positivity. My art is supposed to represent the good of technology.

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LITA POLIAKOVA – NEW YAB ARTIST

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Publ. 07.13.2018

L I T A    P O L I A K O V A

Lita (Life Is Torturing Awesome) is a full-time visual artist based in Germany. Accidentally originated in Russia, Lita headed her pervert power to digestion and rethinking of social frameworks artistically. Upon completion of professional education in graphic design and fine arts, she turned herself into a bizarre kingdom of contemporary art. Organic paintings and provocative collages are her key practices. Holding to biocentrism ethics and fragility of human nature, she portrays mental and physical transfiguration highlighting the issues of aging, body imperfections, lostness and, prostration. Inter alia meditating on social constructs and mass culture Lita graciously recycles paper agents in order to catalyze the novelty. Unlock the potential, fight boredom and ordinary, dare to join the vulnerable flow!

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ZSOLT GYARMATI – NEW YAB ARTIST

———— Filed under: Allgemein ⁄⁄ Art ⁄⁄ Artist ⁄⁄ Artwork ⁄⁄ Design ⁄⁄ Digital ⁄⁄ Market ⁄⁄ painting
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Publ. 07.12.2018

Z S O L T   G Y A R M A T I

ARTIST STATEMENT – My aim as an artist

Art should make people conscious of unconscious things that may remain unconscious even consciously. The objective of my art is some sort of status report. It is the current representation of states experienced as a necessity. Everything that happens to me and makes me perceive.

The irrational reality my artwork present I wish to raise unconscious interest in areas of the modern art. I offer a sort of ‘literacy’ to the recipient with a degree of interactivity that expects the spectators be active: it will not let them become absorbed passively in the view, but will force them think.
The process of my artwork is a „war” of ideas, it is a constant and unsolvable conflict within me, during which layers appear and disappear on my canvas representing different atmospheres. Creation is not a linear process, instead a mixture of signs, symbols and atmospheres unbound of time.

I exclude and discard the surface, the didactic elements of the consumer society from the monotonous urban background noise, and through further analysis of the visual details of the mapped reality I put the emphasis on the basic symbols which are characterized by simultaneity and malleability.

SONIA BENSOUDA – NEW YAB ARTIST

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Publ. 07.11.2018

S O N I A   B E N S O U D A

ARTIST STATEMENT: Through digital collage and photography, my intent is to explore the notions of Time and Space in the Urban environment. Trained as an Interior Architect, I have always been attracted to the cities around the world and how humans develop their identities in it.  I try to create dystopian worlds yet similar to our own existing world so the viewer can imagine itself in it. I use geometry and colors as a tool and as a language that can be understood by everybody.

ARTIST BIO: I was born in France and grew up in Morocco. I received a BA in Interior Architecture in Lyon, France. I then moved to London to study for a Master’s degree in Interior and spatial design at UAL – Chelsea College of Art. I am now working as an Interior Architect and Collage artist. This multicultural background has strongly influenced my approach to photography and collages.

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IMOGEN DAVIS – NEW YAB ARTIST

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Publ. 07.10.2018

I M O G E N   D A V I S

is a London-based photographer.

Artist statement: I use photography as a way of capturing and holding on to feelings that would otherwise escape my grasp. It’s a way of taking something like breath or the feeling of loss and sadness and holding on to it, making a photographic world of these immaterial things.

I believe that photography is used to capture moments of people’s lives, moments that would otherwise be lost in our memories forever, only to be manipulated and distorted by our own thoughts and other memories built on top, each overlapping and contorting the last. However, to document breath within photography is to capture something that is invisible. For these images I learned how to blow my own glass, making physical recreations of my breath that now have memories of their own.