me.magritte – by Stefanie Rübensaal

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Publ. 04.5.2020

Viva la Internet! Better said: Luckily there is Instagram. Corona makes it impossible for me to visit galleries at the moment. Thank God that Instagram is also a good platform for this because I’m looking there for artworks and video installations which I would like to share with you.

Today I present you: me.magritte – a video installation by Stefanie Rübensaal. Have a look at the video installation first and let it have an effect on you.

It is important for Stefanie Rübensaal to produce the idea for her video installation from out of the flow. ” Here it went very quickly from designing the graphic mask to photographing and installing the figure,” she writes to me. She spent a day by the sea to record the video and in the end “the work is a digital collage of all the elements,” she continues.

For me personally, the video work has something calming about it, but at the same time, it encourages me to think and reflect. There is something mysterious in it. Being at the sea and looking out to the open sea makes me melancholic sometimes. How do you feel about it?

Stefanie came up with the idea through “inner chaotic states” – in times of Corona a state that many people are experiencing. ” Standing still, emptiness, upheaval, change, transformation. Where are we going? A moment of stop and questioning”, she explains, “To see the sea, but not to be at the sea. To walk along the sea in your mind and at the same time holding on to the protection of the umbrella.” Also in the interpretation of dreams, the umbrella stands for protection and safety. A state of mind that many currently hope for.

Stefanie Rübensaal has a mixed relationship with video art: “On the one hand, I think a video is a cold working medium and product […]. On the other hand, videos (video collages) can be used to expand existing images and add an additional level of meaning to them. When this happens, I really enjoy the medium […]”, says Stefanie.

So if anyone would have liked to go to the seaside over Easter, this is a good alternative to explore the sea near to Rostock even when we are not allowed to travel actually.

Homepage Stefanie Rübensaal

Susanne Britz – Digitale Fotodrucke

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Publ. 03.23.2020

Same place, different artist.  I’m still at the Inselgalerie and visiting the exhibition “transformer” because another artist is presenting her artwork here.

Susanne Britz has focused on photographs, pigment prints, and installations of everyday objects. The working process behind these works is exciting and is based on each other, so Susanne Britz runs through different phases during her creative process: it probably starts with an idea, then a spatial installation follows. Here she uses everyday objects from the household, sports equipment, tools from the studio or children’s toys. Once the installation is finished, she takes a photo of this work. Afterward, the photo gets digitally overdrawn.

Many of her artworks that are exhibited here seem like instructions to me, even if I am not sure for what exactly.  But if I am honest, it probably doesn’t matter.

I like the strong colors and the general idea behind this artwork. It’ s funny to see all the things and to realize what you can do with everyday objects.

Usually, I would recommend a visit to the gallery, as the exhibition has been extended.  But nothing is normal these days: Unfortunately during the Corona COVID-19 Pandemic, it is not possible. If you are interested in the art of Susanne Britz, please have a look at her homepage or check the Instagram account of the Inselgalerie.

Homepage Inselgalerie Berlin
https://www.instagram.com/inselgalerieberlin/
Susanne Britz Homepage

#stayhome
#staysafe
#stayhealthy
#takecare

See you soon!

Carsten

Marie Kirchner – When Objects Speak Back 1-3

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Publ. 03.4.2020

I’m in the house Schwarzenberg visiting the Neurotitan Gallery. First of all, I walk through the first large room to get into another, a little smaller one. In front of me, there are three overhead projectors. On top of them, white objects that at this point I can’t quite make out yet. I walk closer to the installation. Many small pieces of paper are spread on the floor. I stand directly in front of them and realize that different sentences are written on them. Questions, answers, quotations – it reminds me of a dialogue.

I don’t understand the installation yet, but I think it is exciting and I would like to learn more about it. At one of the overhead projectors, I can see a big elephant tusk.  Not real, of course, just fake. So, what is this installation about?

The artist, Marie Kirchner, is working with colonial objects and with all the questions they raise. Why were they kept in families, and not in museums, for hundreds of years, many generations, and two world wars? The object performance was created in the context of her research on colonial heirlooms.

In the performance, the objects are also meant to become actors, a game with perspectives takes place: am I looking at the objects?  Are the objects looking at me?  Since overhead projectors were used in the Neurotitan Gallery for the first time (normally the objects were always at the eye level of the viewer), I have the feeling of “looking down from above” – which makes me feel more superior.

In this gallery, Marie Kirchner focuses on the object in light and the shadows it creates.  This light/shadow play triggers me. There is something threatening and at the same time mysterious about it, and I ask myself, what the elephant tusk must have seen or experienced? If he were able, he could tell me perhaps so many things. Here it happens: the feeling of superiority disappears and the object becomes an actor. A dialogue takes place in my head. I have to smile a little when I think about it because I imagine myself talking to an elephant tusk. A little fun is necessary.

Now that I know the whole background of this installation, the meaning of the objects and how they treated me in the way of thinking and seeing,  I like this installation really much. Unfortunately, there was no piece of paper in the gallery itself through which one could have learned more.

Marie Kirchner was born in 1980 and grew up in Hamburg. She studied fine arts and has her studio on the RAW GELÄNDE in Berlin. She belongs to the “Freie AusstellungsKollektiv FAK Berlin”.  Come and have a  look at it.

 

Nora Bork -The Lady with the Ermine

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Publ. 07.3.2019

The Lady with the Ermine is one of -in total- four women portraits of Leonardo DaVinci and got produced during the years of 1488 and 1490.The young woman you see is Cecilia Gallerani, mistress of the former duke of Milan. But this has never been her only role – she was well known as one of the most beautiful and talented poets of her time.

Originally, this piece of art was a remittance work, which the Duke wanted to get produced.

…But there is still the question of  what is has to do with the ermine on the woman’s arm.?! – Actually, Leonardo DaVinci clearly and specifically alludes to the duke, whose nickname was The White Ermine.

To let you face Cecilia’s smile, producer Nora Bork was using the stop-motion technique.

Stop Motion Animation is a technique used in animation to bring static objects to life on screen. This is done by moving the object in increments while filming a frame per increment. When all the frames are played in sequence it shows movement.

Nora Borks’ video is a nice example of how mediatization and technization can be used to bring us closer to artworks. In this case, it is about the creation of a new possibility to directly interact with the art piece. This new access is in addition a clever way to trigger the viewers mind and let him create stories about this mystical young woman with the Ermine on her arm.

YOUR ART BEAT EXHIBITION

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Publ. 01.21.2019

…where the digital becomes physical. Artists of the YOUR ART BEAT MARKET

-EXHIBITION – GROUP SHOW-

…where the digital becomes physical

is not only the moving motive behind the YOUR ART BEAT MARKET, now it also becomes an active program in a non-virtual form! For the first time, YOURARTBEAT is presenting its artists offline and exhibits the works that were previously only available for viewing and buying in the online shop.

In addition to a lovingly compiled and eclectic selection of original works, as well as specially produced art pieces, also a variety of materials are demonstrated with which we not only experiment and create alternative forms of artistic manifestation, but in particular transform the digital and media arts into physical shape.

Individual media contributions by the artists themselves not only open up new perspectives or give background information, they also enable a more personal encounter with the creators.

YOURARTBEAT look forward to an inspiring interplay of the polarizing textures of the digital-virtual and the analogue-physical, to the exploration of various materials and consistencies in combination with digital art and interactive media stations, creating personal approaches, highlighting and deepening specialized backgrounds.

During the two-week show, there will also be accompanying programs of virtual reality and audiovisual design.

 

Exhibition Opening: 14 Febuary 2019 – 7 PM

Duration: 15 to 28 Febuary 2019

Opening Hours: Monday to Friday: 4 to 8 PM // Saturday: 1 to 6 PM

Galerie Salon Halit Art – Kreuzbergstr. 72 – 10965 Berlin

 

Digital Collage, Mixed Media, Multimedia Installation, Photography, Fine Arts

  • Group show of the YOURARTBEAT Artists with original artworks and alternative productions of art pieces
  • Demonstration and exploration of a variety of materials used to give digital arts a physical medium
  • Interactive Media Stations with individual contributions of the artists themselves
  • Accompanying programs of Virtual Reality and Audiovisual Design

MEDIA

artconnect   II   creative-city-berlin   II   facebook event

VIDEO

Online Shop YOURARTBEAT Market   II   Official Exhibition Teaser

! Download the official Press Release here !

 

2018 – YOUR ART BEAT – REPORT

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Publ. 12.17.2018

Dear community,

After another successful year of YOUR ART BEAT we want to inform you about the latest news, activities and results.

In addition to the revision of our website, also the online shop of YOURARTBEAT went online: the YOUR ART BEAT MARKET.

Together with the artists we have put together a great selection that can be printed on qualitative and unique materials by aid of our new professional partner GLASTRIX.

But the YOUR ART BEAT assortment will not only be shown exclusively online – after all, we are planning an exhibition for the beginning of next year, in which we want to exhibit both the works and their unique effect due to the special materiality! – But more information will follow soon.

Until then, we are pleased to welcome you online to our market on www.your-art-beat-market.myshopify.com

Furthermore, this year we produced three short videos that give newcomers a good overview of our various tools and resources. The new videos for the blog, the association and the shop can be seen on both youtube and vimeo so just click through!

In addition, we would like to draw your attention to our Xmas contest, which runs until December 23rd. Find more information here or on Facebook.

We look forward to hearing from you about new ideas and projects and hope to come together again at the exhibition next year! Until then we wish you a nice winter time and a happy new year!

Best regards, YOUR ART BEAT TEAM

 

Visit us on Facebook or Instagram !!!!

Virtual/Real – Digital/Analog – Intangible/Physical

———— Filed under: Allgemein ⁄⁄ analog ⁄⁄ Art ⁄⁄ Digital ⁄⁄ Market ⁄⁄ real ⁄⁄ Uncategorized ⁄⁄ Virtual Reality

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Publ. 08.23.2018

THIS ARTICLE IS ABOUT THE JUXTAPOSITION

– of VIRTUAL and REAL – of DIGITAL and ANALOG – of INTANGIBLE and PHYSICAL –

Honestly, I am not sure if this is a confrontation or a steady transformation process – Maybe both… On the one hand, the growing technologization and the general digitalization is leading us to an ongoing abstraction of our world.

For example, money: Once upon a time, people were trading with items or gold. Gold became a bundle of money, the banknote became a paper check and finally, we use PayPal and pay with bitcoin – a currency that only exists on the screen. Books are replaced by a kindle, records are transformed into an mp3 file and friendship is only defined by the connection via facebook. How desirable is that?

 

Meanwhile, I mostly see in this a polarity that is increasing in radicalism and become more and more extremeand so often I am just thinking: Hello guys! Don’t you see that your property and ownership is an illusion .?

Augmented and virtual reality is just the beginning. It really gets creepy when you are on the phone and not sure if there is a human being or a computer software at the other end of the line. For example, the google assistant – this intelligence is not only reacting to you like Siri, it laughs, it changes mood and sound of the voice, it even makes human noises in its talking breaks like „mhh“ or „aha“…

X X X

I think the phenomenon of digitalization is especially interesting in the field of the arts.

Museums and cultural institutions digitalize their collections and thereby following two goals. On the one hand, they want to create new access to arts and culture and use diverse ways to catch people. In addition to the intention of education and mediation, digitalization of artifacts and cultural heritage allows better and more sustainable preservation – works are kept for eternity and „the problem“ of transcience seems to be solved.

But does transcience not also implicates the specialty of things, the individual nature of moments – might be even beautiful?…but that is another topic, so back to art and digitality!

Of course, technology brings benefits in terms of preservation, on the other side it can also devalue arts and offer a basis to disfigure something wonderful and valuable. I don’t know how you feel, but for me, every time I see a digital image of the Mona-Lisa with a distorted or exchanged face, something dies in me.

But then it is also said that just haptic works are „real“ works. Everything that is digital has no consistency – thus no value – thus it can not be sold in the big auction houses. But creating digital art pieces also emerges out of a craft, skill or talent.

Especially in the more traditional and conventional fields, this new and modern art form is not taken seriously and the digital and media arts are clearly undervalued, although they create new potential and promote artistic expressions of individual creativity.

YOURARTBEAT has recognized the aesthetics behind digital arts and even put a focus on it.

The new YOUR ART BEAT MARKET is a brand new online shop that especially gives the Digital Arts a haptic medium and transforms the Virtual into something real: A place where the digital becomes physical. It is about finding physical media that can reflect both the dimensional depth of the image and the inner depth, its “soul”

To ensure this, YOURARTBEAT experimented with a variety of materials and made a selection that is able to meet the just mentioned aspects. In addition, they serve solutions concerning different tastes and design variations but also can address different price categories without loosing on a qualitative level. Therefore, YOURARTBEAT  is offering the digital artworks in the following materials: Glass – Aluminium – Lightboxes – and of course usual Fine Art Paper… Especially glass is an awesome material – maybe because it can imitate a similar texture as a screen.

So we see: also digital things can be transformed into something real, something analog and physical. This whole topic is really strange and can be seen from many perspectives. There are positive as well as negative aspects.

X X X

Anyway, it feels like I’ll probably have to accept that we live in a world where your reputation depends on your virtual representation on the web, where you pay food with bitcoin and Leonardo Da Vinci’s Mona Lisa has the face of Angela Merkel…

Digitization, Virtuality and, Intangibleness – Does it mean that you can’t lose things anymore Or is it implicating that you have never even owned them?

X X X

From the beginning, it was clear that this article will raise more questions than give answers…

So what do you think?

WIN THIS PHOTOGRAPHY SERIES

———— Filed under: Allgemein ⁄⁄ Art ⁄⁄ Artwork ⁄⁄ Design ⁄⁄ Digital ⁄⁄ Market ⁄⁄ photography

Author:
Publ. 08.2.2018

WIN THIS WONDERFUL SERIES OF ARTPIECES!
(Artist: Imogen Davis)

We’re giving away this wonderful little photography series by our artist Imogen Davis. Each of the three pieces from the “My-Breath” series is printed on high quality glass in A5 format.

How to participate? – Very easily! Just send us an email or Facebook message with the keyword: IMOGEN DAVIS

Emails to: (johanna@yourartbeat.de)

Facebook: YOURARTBEAT

The winner will be announced in August!

!!! DISCOVER MORE ON THE YOUR ART BEAT MARKET !!!

CHRISTOPH KÜHL – NEW YAB ARTIST

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Publ. 07.18.2018

C H R I S T O P H   K Ü H L

Christoph Kühl (*1960), studied free painting with Prof. Karl Oppermann at HdK Berlin.

His works are almost exclusively collages, i.e. they are made of painted paper with various techniques. Among other things, he also uses black and white copies from magazines and newspapers or weathered advertising from urban quarters.

The viewer is taken on a journey through three-dimensional spaces. Kühl’s pictures are the projection surface of these sensational sites. Found image pieces are put together to convey new impressions.

Christoph Kühl lives as a freelance artist in Berlin. Regular exhibitions and concerts at his studio in Weissensee.

YAB market

 

JÖRG GIMMLER – NEW YAB ARTIST

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Publ. 07.17.2018

J Ö R G   G I M M L E R

Jörg Gimmler (* 1963), Master student of Georg Baselitz, combines aspects of Concrete Art and Minimal Art into large-format compositions, which are at the same time analytically precise and ecstatical. They place the viewer in front of a structure that deals with the movement of painterly abstraction itself. The artist calls this process “multiple positioning”, in which similar formal elements in oil and acrylic paint form suggestive structures that, as visual architectures, disorient rather than shelter the viewer.

YAB Market