Marie Kirchner – When Objects Speak Back 1-3

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Publ. 03.4.2020

I’m in the house Schwarzenberg visiting the Neurotitan Gallery. First of all, I walk through the first large room to get into another, a little smaller one. In front of me, there are three overhead projectors. On top of them, white objects that at this point I can’t quite make out yet. I walk closer to the installation. Many small pieces of paper are spread on the floor. I stand directly in front of them and realize that different sentences are written on them. Questions, answers, quotations – it reminds me of a dialogue.

I don’t understand the installation yet, but I think it is exciting and I would like to learn more about it. At one of the overhead projectors, I can see a big elephant tusk.  Not real, of course, just fake. So, what is this installation about?

The artist, Marie Kirchner, is working with colonial objects and with all the questions they raise. Why were they kept in families, and not in museums, for hundreds of years, many generations, and two world wars? The object performance was created in the context of her research on colonial heirlooms.

In the performance, the objects are also meant to become actors, a game with perspectives takes place: am I looking at the objects?  Are the objects looking at me?  Since overhead projectors were used in the Neurotitan Gallery for the first time (normally the objects were always at the eye level of the viewer), I have the feeling of “looking down from above” – which makes me feel more superior.

In this gallery, Marie Kirchner focuses on the object in light and the shadows it creates.  This light/shadow play triggers me. There is something threatening and at the same time mysterious about it, and I ask myself, what the elephant tusk must have seen or experienced? If he were able, he could tell me perhaps so many things. Here it happens: the feeling of superiority disappears and the object becomes an actor. A dialogue takes place in my head. I have to smile a little when I think about it because I imagine myself talking to an elephant tusk. A little fun is necessary.

Now that I know the whole background of this installation, the meaning of the objects and how they treated me in the way of thinking and seeing,  I like this installation really much. Unfortunately, there was no piece of paper in the gallery itself through which one could have learned more.

Marie Kirchner was born in 1980 and grew up in Hamburg. She studied fine arts and has her studio on the RAW GELÄNDE in Berlin. She belongs to the “Freie AusstellungsKollektiv FAK Berlin”.  Come and have a  look at it.

 

Hi, I’m Carsten!

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Publ. 02.13.2020

It’s not just a new year, here is also a new person writing for you. Who am I? I’m Carsten.
I’m studying creative writing in Berlin. Since I can think, I have been interested in different forms of art. At the age of five, I started acting, making music and singing. Before I moved to Berlin in 2018, I had trained to be an actor in Cologne for two years. Besides creative studies, I also tried out other courses of study such as business administration, media management, art and political science. But my creative streak won. Luckily.

For me, life is art with many different stories. So, art is life for me, too; and every person in this big city has their own story and individual life. Art has this as well: individualism. Art can be created or presented in so many ways, maybe even in ways, we don’t know yet. However, if I don’t like it sometimes, I’m still totally fine with it because it’s just my personal opinion and art doesn’t have to affect or impress everyone in the same way.

But what is it that fascinates me so much about all these art forms? I am interested in old but also modern art. Thanks to new technology and a lot of creative people, so many things are possible today and the process is still going on. You never know what will come next. I find that incredibly exciting and interesting. I would like to tell you the stories that move me and catch my eye and which I think are important to be told. Not only does Art embody fantasy but also society and social problems. It can be inspiring, political, arousing and enlightening.

Art offers space for discussion – today this is more important than ever. Why is that? In my opinion, fewer and fewer different opinions are accepted; instead, black and white attitudes towards things increase. Society is splitting up. Maybe art, in whichever form, can help here and remind us of talking and listening to each other.

But it’s not just art people want to get to know and see in this time – they are willing to listen to and read interesting and good stories, too. Here I am: I will find both for you.

Let’s start with art!

 

Nora Bork -The Lady with the Ermine

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Publ. 07.3.2019

The Lady with the Ermine is one of -in total- four women portraits of Leonardo DaVinci and got produced during the years of 1488 and 1490.The young woman you see is Cecilia Gallerani, mistress of the former duke of Milan. But this has never been her only role – she was well known as one of the most beautiful and talented poets of her time.

Originally, this piece of art was a remittance work, which the Duke wanted to get produced.

…But there is still the question of  what is has to do with the ermine on the woman’s arm.?! – Actually, Leonardo DaVinci clearly and specifically alludes to the duke, whose nickname was The White Ermine.

To let you face Cecilia’s smile, producer Nora Bork was using the stop-motion technique.

Stop Motion Animation is a technique used in animation to bring static objects to life on screen. This is done by moving the object in increments while filming a frame per increment. When all the frames are played in sequence it shows movement.

Nora Borks’ video is a nice example of how mediatization and technization can be used to bring us closer to artworks. In this case, it is about the creation of a new possibility to directly interact with the art piece. This new access is in addition a clever way to trigger the viewers mind and let him create stories about this mystical young woman with the Ermine on her arm.

Exhibition Introspective in Perspective

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Publ. 05.10.2019

Lita Poliakova
Introspective in Perspective
WerkStadt Kulturverein Berlin e.V.
May 5 through June 9, 2019

Lita Poliakova’s portraits exceed all expectations regarding the genre. Each single work turns both inwards and outwards. We are able to recognize the sketch of a face looking at us like an expressive character in a science-fiction comic. At the same time it seems to turn its interior soul toward the outside at each point of its shaping and color rendering: Like some kind of psychogram which merges associations of different moods and expressions.

On another level, the exhibition is constantly blending humans and nature like some sort of hologram. It is an astonishing and fundamental common ground that comes into view: the elements that all organisms are composed of and dissolve into. These elements are the same in humans and plants. The artist makes use of these micro-components in her splendid organic recycling: She extracts color pigments from organic materials, such as left-over fruits, and applies them to her paintings. There might be unpredictable further variations of these organic colors. Finally, it is the solid, yet expanding crystal structure that could be understood as an anorganic and dynamic complement of the paintings.
Thus, between screen and crystal, the colors continue the play of depiction on a material level.

Is this a human face, whose sense of self, affections, facets and transformations shows up in the emergence of colors? Or is it a landscape or even a singular plant that can be depicted as a human with the help of our gaze? Do we identify the ongoing metamorphosis of a single individual or rather a huge family album or chemistry of humans, flora, and fauna?

Jule Böttner
WerkStadt Kulturverein Berlin e.V.

The Cut In

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Publ. 04.17.2019

»The Cut In« is a duo project formed by an artist, Saverio Tonoli, and a designer, Nona Schmidt, from Berlin.
Between Art and Design – collage is a common topic between the work of the two of them. They paint, cut and compose their images using analogue and digital techniques as part of their creative procedures.

This project investigates glass and its possibilities, not only as a material but as a medium to explore colours, forms and structures.

»Cut In« reinterprets traditional leaded windows and their immersive quality by juxtaposing different layers of coloured glass and integrating the glass collages in the architecture.

»Cut In« are in fact thought to be installed in the space, where transparent and coloured glass shapes blends, overlap and transform themselves under the intervention of light.

A starting point of the project has been the exploration of colours, discovering combinations of harmonic and disharmonic colours in relation with Runge’s theory of colours.

The collages are made out of one painted image on glass. Through different breaking techniques which they call the »Bruchtest«, the painted image is exposed to an unknown factor creating new situations to work with and finally arranged and repainted into one single piece.

YOUR ART BEAT MEETS MUSIC

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Publ. 04.5.2019

Kühlspot Social Club is a venue for creative music, theatre, art and culture in Berlin Weissensee. They emphasize “social” in their perspective on cultural development and try to promote an inspiring community of artists and art lovers. In the field of music, the main focus is on improvised music, jazz, dance music of all kinds, including improvised dance music, tango, balfolk, and everything always live. In the course of the season – there is a break in late summer and in winter – they have one to three events per week, two to four art exhibitions per year and occasional dance parties. Performance art, theatre events, and action painting with improvised music are also part of the spectrum of the program. The room can accommodate up to 70 people.
Kühlspot is the former studio of the Berlin artist Siegfried Kühl, who died in 2016. His son, the artist Christoph Kühl, runs the Kühlspot. The art of Siegfried Kühl is permanently exhibited and contributes essentially to the great ambiance.
For more information see www.kuehlspot.com/kalender.html
YOUR ART BEAT is happy to be part of the Kühlspot community and exhibit some of its artists, among them Christoph Kühl.

YOUR ART BEAT EXHIBITION

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Publ. 01.21.2019

…where the digital becomes physical. Artists of the YOUR ART BEAT MARKET

-EXHIBITION – GROUP SHOW-

…where the digital becomes physical

is not only the moving motive behind the YOUR ART BEAT MARKET, now it also becomes an active program in a non-virtual form! For the first time, YOURARTBEAT is presenting its artists offline and exhibits the works that were previously only available for viewing and buying in the online shop.

In addition to a lovingly compiled and eclectic selection of original works, as well as specially produced art pieces, also a variety of materials are demonstrated with which we not only experiment and create alternative forms of artistic manifestation, but in particular transform the digital and media arts into physical shape.

Individual media contributions by the artists themselves not only open up new perspectives or give background information, they also enable a more personal encounter with the creators.

YOURARTBEAT look forward to an inspiring interplay of the polarizing textures of the digital-virtual and the analogue-physical, to the exploration of various materials and consistencies in combination with digital art and interactive media stations, creating personal approaches, highlighting and deepening specialized backgrounds.

During the two-week show, there will also be accompanying programs of virtual reality and audiovisual design.

 

Exhibition Opening: 14 Febuary 2019 – 7 PM

Duration: 15 to 28 Febuary 2019

Opening Hours: Monday to Friday: 4 to 8 PM // Saturday: 1 to 6 PM

Galerie Salon Halit Art – Kreuzbergstr. 72 – 10965 Berlin

 

Digital Collage, Mixed Media, Multimedia Installation, Photography, Fine Arts

  • Group show of the YOURARTBEAT Artists with original artworks and alternative productions of art pieces
  • Demonstration and exploration of a variety of materials used to give digital arts a physical medium
  • Interactive Media Stations with individual contributions of the artists themselves
  • Accompanying programs of Virtual Reality and Audiovisual Design

MEDIA

artconnect   II   creative-city-berlin   II   facebook event

VIDEO

Online Shop YOURARTBEAT Market   II   Official Exhibition Teaser

! Download the official Press Release here !

 

2018 – YOUR ART BEAT – REPORT

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Publ. 12.17.2018

Dear community,

After another successful year of YOUR ART BEAT we want to inform you about the latest news, activities and results.

In addition to the revision of our website, also the online shop of YOURARTBEAT went online: the YOUR ART BEAT MARKET.

Together with the artists we have put together a great selection that can be printed on qualitative and unique materials by aid of our new professional partner GLASTRIX.

But the YOUR ART BEAT assortment will not only be shown exclusively online – after all, we are planning an exhibition for the beginning of next year, in which we want to exhibit both the works and their unique effect due to the special materiality! – But more information will follow soon.

Until then, we are pleased to welcome you online to our market on www.your-art-beat-market.myshopify.com

Furthermore, this year we produced three short videos that give newcomers a good overview of our various tools and resources. The new videos for the blog, the association and the shop can be seen on both youtube and vimeo so just click through!

In addition, we would like to draw your attention to our Xmas contest, which runs until December 23rd. Find more information here or on Facebook.

We look forward to hearing from you about new ideas and projects and hope to come together again at the exhibition next year! Until then we wish you a nice winter time and a happy new year!

Best regards, YOUR ART BEAT TEAM

 

Visit us on Facebook or Instagram !!!!

Audiovisual Ventures

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Publ. 11.22.2018

Akiko Nakayama is a Japanese painter. She felt that her past paintings were dead, so she started Alive Painting by combining the energy of movement and the vibrance of colours. She uses a multitude of kitchen basters loaded with paint and water to add, mix, tilt, blow and add all sorts of extraneous effects to her paints, recording and projecting it all onto a large screen. The result is a fascinating show of organic movements. In recent years, she has also added sound as another dimension to her work, and has collaborated with different musicians in live performances.

On November 4, 2018 she performed at THE KÜHLSPOT SOCIAL CLUB with Uproot, an electroacoustic music group (curator Kriton Beyer). The trio works with the use of both the natural sounds of the acoustic instruments as well as with preparation of these instruments, the use of objects and extended techniques.

It is always inspiring to visit the KÜHLSPOT SOCIAL CLUB. The ambience is very private, and performers and audience get in touch and discuss music, and art and life.

Virtual/Real – Digital/Analog – Intangible/Physical

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Publ. 08.23.2018

THIS ARTICLE IS ABOUT THE JUXTAPOSITION

– of VIRTUAL and REAL – of DIGITAL and ANALOG – of INTANGIBLE and PHYSICAL –

Honestly, I am not sure if this is a confrontation or a steady transformation process – Maybe both… On the one hand, the growing technologization and the general digitalization is leading us to an ongoing abstraction of our world.

For example, money: Once upon a time, people were trading with items or gold. Gold became a bundle of money, the banknote became a paper check and finally, we use PayPal and pay with bitcoin – a currency that only exists on the screen. Books are replaced by a kindle, records are transformed into an mp3 file and friendship is only defined by the connection via facebook. How desirable is that?

 

Meanwhile, I mostly see in this a polarity that is increasing in radicalism and become more and more extremeand so often I am just thinking: Hello guys! Don’t you see that your property and ownership is an illusion .?

Augmented and virtual reality is just the beginning. It really gets creepy when you are on the phone and not sure if there is a human being or a computer software at the other end of the line. For example, the google assistant – this intelligence is not only reacting to you like Siri, it laughs, it changes mood and sound of the voice, it even makes human noises in its talking breaks like „mhh“ or „aha“…

X X X

I think the phenomenon of digitalization is especially interesting in the field of the arts.

Museums and cultural institutions digitalize their collections and thereby following two goals. On the one hand, they want to create new access to arts and culture and use diverse ways to catch people. In addition to the intention of education and mediation, digitalization of artifacts and cultural heritage allows better and more sustainable preservation – works are kept for eternity and „the problem“ of transcience seems to be solved.

But does transcience not also implicates the specialty of things, the individual nature of moments – might be even beautiful?…but that is another topic, so back to art and digitality!

Of course, technology brings benefits in terms of preservation, on the other side it can also devalue arts and offer a basis to disfigure something wonderful and valuable. I don’t know how you feel, but for me, every time I see a digital image of the Mona-Lisa with a distorted or exchanged face, something dies in me.

But then it is also said that just haptic works are „real“ works. Everything that is digital has no consistency – thus no value – thus it can not be sold in the big auction houses. But creating digital art pieces also emerges out of a craft, skill or talent.

Especially in the more traditional and conventional fields, this new and modern art form is not taken seriously and the digital and media arts are clearly undervalued, although they create new potential and promote artistic expressions of individual creativity.

YOURARTBEAT has recognized the aesthetics behind digital arts and even put a focus on it.

The new YOUR ART BEAT MARKET is a brand new online shop that especially gives the Digital Arts a haptic medium and transforms the Virtual into something real: A place where the digital becomes physical. It is about finding physical media that can reflect both the dimensional depth of the image and the inner depth, its “soul”

To ensure this, YOURARTBEAT experimented with a variety of materials and made a selection that is able to meet the just mentioned aspects. In addition, they serve solutions concerning different tastes and design variations but also can address different price categories without loosing on a qualitative level. Therefore, YOURARTBEAT  is offering the digital artworks in the following materials: Glass – Aluminium – Lightboxes – and of course usual Fine Art Paper… Especially glass is an awesome material – maybe because it can imitate a similar texture as a screen.

So we see: also digital things can be transformed into something real, something analog and physical. This whole topic is really strange and can be seen from many perspectives. There are positive as well as negative aspects.

X X X

Anyway, it feels like I’ll probably have to accept that we live in a world where your reputation depends on your virtual representation on the web, where you pay food with bitcoin and Leonardo Da Vinci’s Mona Lisa has the face of Angela Merkel…

Digitization, Virtuality and, Intangibleness – Does it mean that you can’t lose things anymore Or is it implicating that you have never even owned them?

X X X

From the beginning, it was clear that this article will raise more questions than give answers…

So what do you think?